A redhead light more specifically comes straight out of the
bulb and hits the actor; it is quite bright and concentrated. Changing the
angle of which position the light is in can change the shadows reflecting on
the actor which can change the mood of the scene. Putting a trace on, which is
a waxy piece of paper can stop the light from being really harsh/ bright.
A blonde is fairly similar to a red head, except it is even brighter and bigger.
Another lighting technique was using a soft box. This is
where we put a theatre flat with a plastic sheet in front of a redhead light.
The light gets broken up through the gel which gives it a much softer shine.
A florescent light is a long beamed white light of which you
can put different gels onto. It is however hard to tell the colours of the gel
apart in normal lighting, so you can shine your phone torch inside the gel and
it gives a clearer image of the colour.
A key light is the main light source on set focusing on the object. A fill light is used to ‘fill,’ the absence of light from a certain angle and gets rid of unwanted shadows that may be in the object. Backlight is shone from the back of the set behind the point of focus/ object and it helps differentiate the point of focus from the background. Blondes are typically used for this job. This lighting technique is called three point lighting.
‘Beauty lighting,’ is a lighting technique use in the film industry. One kind of beauty lighting is using only back light. By adjusting the exposure making it darker on the camera, it makes more things in focus, while making the exposure lighter puts only the object in focus. Extra light however may come into the lens, so if that does happen we can use a MATTE box to get rid of the unwanted light.
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